Audio recording The Perfect Song
I’ve talked to many people about doing an audio recording of my novel, The Perfect Song. Younger folks said yeah, they’d be more likely to download or stream it and listen to it than they would read it. Some older folks with vision problems welcomed the chance to hear it on CD. So that’s what I’m doing. I spent nearly two months recording it. Now I’m editing it, a long, arduous process that’s given me yet another whole new outlook on the book.
I worked awhile to determine the sounds and textures of the characters’ voices: Mendel, the artist, would remain close to my own voice; Poul, the shiftless man looking for easy money, would have a thin, nasal sounding voice; Beasely, the ambitious publisher, would have an aggressive, assured voice. Harry the beach bum would have a big, boisterous voice. Mara is soft and self-assured.
I’ve now edited seven chapters. My son, Nathan, a musician, is creating sound loops for the music beds.
Today I took the iRiver out and recorded my footsteps through the wet, mushy ground. I’ll use this in the passage where Poul gathers papers after a thunderstorm. Last week I recorded my footsteps down by the creek and through the tall brown grass along the bank.
Open your ears and there’s a whole new world. There aren’t just “footsteps.” There are hundreds of types of footsteps through different environments, with different shoes, different sizes and weights of humans.
More later.